Skip to main content
Occupied Territory #4 - Wolf
Occupied Territory #4 - Wolf
Non-Exclusive License: © John O'Reilly Image may be subject to copyright restricitons. Non-commercial use only.

Occupied Territory #4 - Wolf

Artist/Culture (American, 1930–2021)
Date1995
MediumPolaroid photomontage
Dimensions10.6 x 13 cm (4 3/16 x 5 1/8 in.)
ClassificationsPhotographs
Credit LineThomas Hovey Gage Fund
Object number1998.167
Label TextFor more than forty years, Worcester resident John O’Reilly has pieced together fragments of photographic reproductions resulting in meticulous hybrids of place, time, and corporeal identity. As one critic wrote of these photomontages, “O’Reilly transformed photographic truth into fiction and photographic fiction into truth.” For this image, from the series Occupied Territories (whose individual titles are names taken from a photographic album of German World War II soldiers that the artist found), O’Reilly reconfigured fragments of nude males and helmeted combatants into a sensual warrior who “occupies” the sylvan setting of a painting of a female nude by the French artist Camille Corot. The image is a harmony of contradictions – war and peacetime, male and female, real and ideal, German and French. As O’Reilly explains, a “fictional nude German soldier displaces a nude French woman. The photographic reality of the German soldiers trespasses the painted idylls of Corot…All that remains of the young French reclining nude is her shadow.”ProvenanceFletcher/Priest Gallery, 5 Pratt St., Worcester, MA 01609
On View
Not on view
In a Dutch Dream
John O'Reilly
1990
Eakins Posing
John O'Reilly
June 6, 2006
Spanish Royalty
John O'Reilly
1986
Behind Ingres' Curtain
John O'Reilly
1986
Reference Image - Not for Reproduction
John O'Reilly
1991
Floral Room
John O'Reilly
1991
Non-Exclusive License: © Estate of John O'Reilly
John O'Reilly
1985
Non-Exclusive License: © Estate of John O'Reilly
John O'Reilly
1985
Nocturne #9
John O'Reilly
2007
Of Cavafy-Ring Bearer
John O'Reilly
2008
Identity Could be a Tragedy (Panel  4)
María Magdalena Campos-Pons
1995