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Scene Below the Nachi Mountain Waterfall: Mongaku Shonin (Endo Morito) Saved by Fudo Myoo, and his Attendants Seitaka-doji and Kongara-doji
Scene Below the Nachi Mountain Waterfall: Mongaku Shonin (Endo Morito) Saved by Fudo Myoo, and his Attendants Seitaka-doji and Kongara-doji
Image © Worcester Art Museum, all rights reserved.

Scene Below the Nachi Mountain Waterfall: Mongaku Shonin (Endo Morito) Saved by Fudo Myoo, and his Attendants Seitaka-doji and Kongara-doji

Artist (Japanese, 1835–1900)
Date1893
Mediummulticolored woodblock print, oban triptych
Dimensions35.7 x 23.4 cm (14 1/16 x 9 3/16 in.)
ClassificationsPrints
Credit LineGift of Mr. & Mrs. George W. Hauser and family, in memory of Dr. & Mrs. Ernst A. Hauser
Object number1991.69
Label TextDeeply regretting the unintentional murder of his lover Kesa, Morito became a monk and assumed the name Mongaku Shonin. As atonement he went on a pilgrimage and began a lengthy penance under the icy Nachi waterfall. According to legend Morito/Mongaku almost froze to death but endured, thanks to the Esoteric Buddhist deity Fudo Myoo. The hardships of the ill-fated Morito/Mongaku were recorded in early classics and captured the imagination of later playwrights. This triptych illustrates a scene from the Kabuki play, Mongaku at Nachi Waterfall, showing actors in the roles of Mongaku, holding a bell and a Buddhist rosary; Fudo Myoo with flaming halo, sword and noose (to catch evil and tie together the faithful); and his acolytes, the white Kongara-doji holding a lotus and the red Seitaka-doji leaning on a gilt iron staff (tetsu-bo). Japanese warriors often prayed for strength to the wrathful, "immovable" Fudo Myoo and decorated their swords, armor and helmets armor with his bonji (sacred Sanskrit character). Notes:Samurai SpiritProvenanceGift of Mr. and Mrs. George W. Hauser and family, Sudbury, MA., in memory of Dr. and Mrs. Ernst A. Hauser
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