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Salmon-Crested Cockatoo (Obatan omu)
Salmon-Crested Cockatoo (Obatan omu)
Public domain: Image courtesy of the Worcester Art Museum.

Salmon-Crested Cockatoo (Obatan omu)

Artist (Japanese, 1876–1950)
Date1926
Mediumwoodblock print; ink and color on paper
Dimensions31.1 x 24.7 cm (12 1/4 x 9 3/4 in.)
ClassificationsPrints
MarkingsSeal: Hiroshi; "jizuri" (self-printed) in the margin
Credit LineHarriet B. Bancroft Fund
Object number2004.1
Label Text2004-02-20: Salmon-Crested Cockatoo Artist: Hiroshi Yoshida (1876-1950) Date: 1926 Series: "At the Zoological Garden" (Dobutsuen) Bird: Salmon-Crested Cockatoo, Cacatua moluccensis Signed: Hiroshi Yoshida Sealed: Hiroshi; "jizuri" (self-printed) in the margin Woodblock print; ink and color on paper Harriet B. Bancroft Fund, 2004.1 Bird-and-flower subjects, including exotic parrots, were the favorite subjects of several leading early twentieth century Shin Hanga ("New-Print") designers. Hiroshi Yoshida was the only artist who signed and titled his prints in English. He designed this realistic print, along with two other designs of cockatoos and a tiger, as part of a series called "At the Zoological Garden." The Salmon-Crested Cockatoo (Obatan omu), one of the fifty rarest birds in the world, has white feathers tinted with soft pink. The undersides of the head and chest feathers are tinged with yellowish-salmon while the crest has salmon-red inner feathers. Since this cockatoo is presently only found wild on Seram in the Moluccas of Indonesia it is often called the Moluccan or Seram Cockatoo. As indicated by the red seal, "jizuri," in the margin, Hiroshi printed or closely supervised the printing himself. The concave/embossed lines outlining the feathers were created when damp paper was placed on an un-inked block and then rubbed from the back. A baren (bamboo pressing pad) was rubbed in a circular motion to create the lines in the background. Notes:Birds in Japanese Art and PoetryProvenanceJeanne Davidson Fine Prints, New York, NY
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