Actor Iwai Hanshirō V as a Calligraphy Student
Artist/Culture
Utagawa Toyokuni I 歌川 豊国
(Japanese, 1769–1825)
Publisherpublished by
Tsuruya Kinsuke 鶴屋 金助 (Sōkakudō 双鶴堂)
(Japanese)
Date1806, 2nd month
Mediumwoodblock print; ink and color on paper
Dimensions38.8 x 24.8 cm (15 1/4 x 9 3/4 in.)
ClassificationsPrints
Credit LineJohn Chandler Bancroft Collection
Terms
Object number1901.59.2487
Label TextDepicted here is one of the stages of a hayagawari dance. In the dance, a single kabuki actor—here, Iwai Hanshirō V (1776-1847) — goes through a series of quick costume changes during a performance. This theatrical trick, known as keren, entailed a variety of techniques such as removing upper layers of clothing, altering makeup, covering the shaved portions of their hair to assume a female role, or having stage assistants supply additional accessories.
Prints such as this were intended to showcase Hanshirō V’s ability to channel the identity the character he embodies, in this case a young woman who has just finished practicing her calligraphy lesson. Hanshirō V remains recognizable, though, due to his distinct oval face, long straight nose, and signature impish smile.
Originally, there were seven pictures in the series, indicating that Hanshirō was performing a nanabake, or “seven change dance.” It is possible that these prints were once part of a set of hayagawari-e (“quick change pictures”), and that they were connected, either by hinges or by being printed onto a single sheet, so the viewer’s eye could seamlessly follow the dance’s progression. The decorative paper edges and trimming suggest that they were once pasted into an album.On View
Not on viewUtagawa Kunisada I 歌川 国貞 (Toyokuni III 三代 豊国)
late 1822
Utagawa Toyokuni I 歌川 豊国
c. 1802
Utagawa Kunisada I 歌川 国貞 (Toyokuni III 三代 豊国)
1861
Utagawa Kunisada I 歌川 国貞 (Toyokuni III 三代 豊国)
19th century