Skip to main content
Without Pause - Enters, Touches, Passes
Without Pause - Enters, Touches, Passes
Public domain. Image courtesy of the Worcester Art Museum.

Without Pause - Enters, Touches, Passes

Artist (American, 1862–1928)
Date1927
Mediumoil on canvas
Dimensionscanvas: 66.2 x 101.8 cm (26 1/16 x 40 1/16 in.)
ClassificationsPaintings
Credit LineMuseum Purchase
Object number1928.30
Label TextArthur B. Davies is important as an artist, connoisseur, and dynamic force in the development and acceptance of modern art in America. As an artist, he repeatedly created idyllic images of grace and beauty. As a connoisseur, he collected and advised others to collect the art works of the European and American avant-garde. As the organizer of the Armory Show of 1913, the exhibition which introduced America to contemporary European trends in art, his importance as a force in the American art scene cannot be overrated. Throughout his career, Davies reworked the theme of the nude figure in movement. As in many of his works, Davies here repeats figures in a frieze-like arrangement in positions of successive gesture. The term "continuous composition" was used by Davies to describe this format. Its sources are many and include the wall paintings of Pompeii, the choreographic arrangements of the French modernist Puvis de Chavannes, and the magical movements of the dancer Isadora Duncan. Provenance(N.E. Montross, New York, ?-1928); WAM, 1928
On View
Not on view
Sleep Lies Perfect in Them
Arthur Bowen Davies
1908
Sandpiper
Arthur Bowen Davies
late 19th–early 20th century
Castello, Edge of the Alps
Arthur Bowen Davies
1920s
Reference Image - Not for Reproduction
Arthur Bowen Davies
1927
Doorway to Illusion
Arthur Bowen Davies
1922
By the Sea
Arthur Bowen Davies
1919
Pleiades (Nudes)
Arthur Bowen Davies
1919
Castello: Italian Coast Port
Arthur Bowen Davies
about 1928
Against Green
Arthur Bowen Davies
1918–1924
The Landing (formerly Laocoon II)
Robert Arthur Goodnough
1959
What Harbor
Arthur G. Dove
1939