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Paris and Oenone
Paris and Oenone
Image © Worcester Art Museum, all rights reserved.

Paris and Oenone

Artist (Dutch, 1583–1633)
Date1619
Mediumoil on panel
Dimensionspanel: 48.9 x 71.4 cm (19 1/4 x 28 1/8 in.)
ClassificationsPaintings
Credit LineGift of Mr. and Mrs. John Adam, Jr.
Terms
Object number1984.39
DescriptionOne of the leading painters of religious and mythological subjects at the beginning of Holland's Golden Age, Lastman is also recognized as the principal teacher of Rembrandt. He is the most accomplished of a group of artists often called the "pre-Rembrandtists" who were skilled at portraying narrative scenes. Their goal was to illustrate stories in a straightforward fashion, often using expressive gestures and naturalistic elements.

Lastman painted at least three versions of this subject, which comes from an ancient Greek legend. Paris, who has been raised by shepherds, makes love to the nymph Oenone, who in turn bestows on him a floral wreath, signifying her consent to give up her virginity. The young couple is surrounded by elements relating to the theme of love. The dog and the embracing figures at the left symbolize fidelity while the goats, melon, and bagpipes on the right all represent sexual activity. The right-hand elements forecast the fate of this young couple whose marriage ended when Paris deserted Oenone for Helen of Troy.
Label TextOne of the leading painters of religious and mythological subjects at the beginning of Holland's Golden Age, Lastman is also recognized as the principal teacher of Rembrandt. He is the most accomplished of a group of artists often called the "pre-Rembrandtists" who were skilled at portraying narrative scenes. Their goal was to illustrate stories in a straightforward fashion, often using expressive gestures and naturalistic elements. Lastman painted at least three versions of this subject, which comes from an ancient Greek legend. Paris, who has been raised by shepherds, makes love to the nymph Oenone, who in turn bestows on him a floral wreath, signifying her consent to give up her virginity. The young couple is surrounded by elements relating to the theme of love. The dog and the embracing figures at the left symbolize fidelity while the goats, melon, and bagpipes on the right all represent sexual activity. The right-hand elements forecast the fate of this young couple whose marriage ended when Paris deserted Oenone for Helen of Troy.ProvenanceMr. and Mrs. John Adam, Jr.
On View
On view
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Tsukioka Yoshitoshi 月岡 芳年
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1945
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1768–1770
Reference Image - Not for Reproduction
European
1912, using some old metal and components
2002.224.1-3
Tsukioka Yoshitoshi 月岡 芳年
4th month, 1868
Lois Orne
Joseph Badger
1757
Conservation Status: After Treatment
Antioch
late 4th century
Gravemarker Moon
Tsukioka Yoshitoshi 月岡 芳年
March 1886
Rebecca Orne
Joseph Badger
1757
Landscape (View of a Town)
American
after 1753