Skip to main content
Yokihi (Yang Gueifei)
Yokihi (Yang Gueifei)
Image © Worcester Art Museum, all rights reserved.

Yokihi (Yang Gueifei)

Artist (Japanese, active early 1800s)
Date1820–1830
Mediumink, color and gold on silk
Dimensionsimage: 128.5 x 55.5 cm (50 9/16 x 21 7/8 in.)
mount: 221.7 x 77 cm (87 5/16 x 30 5/16 in.)
ClassificationsPaintings
Credit LineAlexander H. Bullock Fund
Object number1996.30
DescriptionTakemiya Koun (active Bunson period 1818-1830), Osaka artist, pupil of Ueda Kocho
Label TextThis painting of the famous eighth century beauty Yang Guifei (Japanese: Yokihi) is based on a now lost painting by the eighteenth century painter Maruyama Okyo (1733-95). Several versions of this subject exist by other Maruyama-Shijo school artists. The painting combines ink painting with naturalism. The texture of Yokihi’s hair, the accurate depiction of her hair ornaments as well as the carefully observed leaves and flowers, derives from Okyo’s style. Shijo school painters worked in two distinctive ways. One was based on the more intellectual and abstract Nanga style of such artists as Yosa Buson (1716-83), the other on the naturalism of Okyo. This school had a profound influence on nineteenth and early twentieth century Japanese painting. Koun was an Osaka Shijo school artist and the pupil of Ueda Kocho (act. early to mid 19th century). Both men looked to the Kyoto masters of the school for their inspiration. ProvenanceAndreas Leisinger, Japan
On View
Not on view
Main Image
Chinese
early Ming Dynasty (1368–1400)
A Screen for the New Year: Pines and Plum Blossoms
Kano school
early–mid 17th century
Calligraphy and Painting
Katsukawa, Shunkō
1785–1795
Bijin Under a Tree
Japanese
1700–1750
Amusements at Cherry-Blossom Viewing Time
Miyagawa Choshun
Kyoho Era (1716–1736)
Mountain Landscape after Snowfall
Chinese
Late Ming Dynasty (late 1500s–1600s)
Eagle
Feng Yichu
about 1675 to about 1740
Cranes
Sakai, Hoitsu
early 19th century
Charles Willing
John Wollaston the younger
1746