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Conservation Status: After Treatment
Morion-Burgonet
Conservation Status: After Treatment
Image © 2020 Worcester Art Museum, all rights reserved.

Morion-Burgonet

Date1585
Mediumetched steel, blackened and fire-gilt, and brass
Dimensions31 × 29 × 23 cm (12 3/16 × 11 7/16 × 9 1/16 in.)
3 lb, 10 oz (weight)
ClassificationsArms and Armor
MarkingsEtched on a banderole on the anterior left of the comb is the date "1585." This is similarly rendered on the brim, at the recurve on the right rear. Painted HAM accession number within.
Credit LineThe John Woodman Higgins Armory Collection
Object number2014.26
DescriptionOne-piece rounded steel skull with high, roped comb. At rear base of comb is brass-gilt escutcheon-shaped plume-holder with scrolled ends and etched with strapwork. The pattern this produces could possibly be interpreted as producing a fleur-de-lis motif.

Encircling base of skull is row of 24 iron lining-rivets with brass caps, some of which retain fragments of leather band beneath irregularly circular flat iron washers within. These rivets have brass caps of two types. One of these, most if not all of which are later, is domed, slightly flattened, with a rimmed base. The other is a six-petalled, embossed floral rosette (there are two variations of this).

Brim downturned, recurved along basal edge behind ears, sweeping up front & rear in arched points. Edge inwardly turned over wire core file-roped. Cheek pieces do not appear to have been fitted.

Decorated with various contemporary & antique arms, martial artifacts, components of armor, as well as fantastic creatures & mythological scenes. These are found on the comb, the brim and in three radiating bands on the skull sides. Centered on the comb sides, within oval cartouches of slotted and voluted strapwork are scenes of Leda & swan (on the left), and ravishing of Antiope by Jupiter in guise of a satyr, in presence of Cupid (from Metamorphoses by Ovid, 6: 110-111; Hyginus 8) (on the right). Etched on the posterior peak is a pair of classically armed males in combat with falchions, their torsos arising from foliated tendrils. Decoration of brim & skull bands framed by wide, shallow bands of gilded guilloche. Primary decoration is acid-etched & fire-gilded on blackened, stippled ground. Traces of gilding on roping of comb & brim.
Label TextThis helmet was probably worn by a bodyguard to a noble family. The form is Italian in origin, but was also popular in Austria, Germany and France during the second half of the 1500s. The stylized curves on this example imitate helmets that Renaissance artists imagined on the heads of ancient Greek and Roman warriors. An almost identical helmet in the Art Institute of Chicago also bears the date 1585, as found here on a small, curving band at the front end of the comb.ProvenanceObtained by John W. Higgins July 15, 1930 from E & A. Silberman, New York and Vienna (Higgins evidently viewed the piece in Vienna during a visit April 1930). Purchased on 2 March, 1931. Given to the Armory 15 December 1930. Collection tranfer from Higgins Armory, January 2014.
On View
Not on view
Reference Image - Not for Reproduction
Northern Italian
1560–1570
Reference Image - Not for Reproduction
Austrian
1550–1600, with 19th century restorations
Close Helmet
Austrian
possibly about 1580–1590
Reference Image - Not for Reproduction
Northern Italian
about 1560–1570
Reference Image - Not for Reproduction
Southern German
about 1580
Reference Image - Not for Reproduction
Northern Italian
portions 1500s, assembled and decorated in 1800s
Reference Image - Not for Reproduction
Northern German
1555–1560
Reference Image - Not for Reproduction
German
about 1600–1620
Conservation Status: After Treatment
Hans Hörburger the Elder
1556–1586