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Image may be subject to copyright restricitons. Non-commercial use only.
Everything We've Ever Been, Everything We Are Right Now – Above
Image may be subject to copyright restricitons. Non-commercial use only.
Image may be subject to copyright restricitons. Non-commercial use only.

Everything We've Ever Been, Everything We Are Right Now – Above

Artist (American Indian, Tlingit and Unangax Nations, born 1979)
Date2019
Mediummonotype and gold leaf with additional preexisting pink platetone
Dimensionssheet (deckled edge): 52.8 × 74.8 cm (20 13/16 × 29 7/16 in.)
framed: 62.1 × 84.1 × 3.8 cm (24 7/16 × 33 1/8 × 1 1/2 in.)
ClassificationsPrints
Credit LineChapin Riley Fund at the Greater Worcester Community Foundation
Object number2021.83
Label TextGalanin, an Alaskan interdisciplinary artist, also considers abstraction an important formal device. “In this series, the work is about memory, movement, motion, and instinct that I would say [are] connected to a deep cultural and personal relationship to place, to land, and ancestral connections.” Galanin also discussed the way in which art historians, galleries, and museums have ignored the importance of abstraction as a marker of Native American identity. “Oftentimes institutions or [the] western art canon deny our communities’ abstraction, even though our foundations of cultural visual language are often extremely abstract and have also influenced many celebrated abstract movements.”
On View
Not on view
The Count de Caylus ( Anne Claude Philippe)
Charles-Nicholas Cochin II
18th c.
The Lion and the Council of War
Charles-Nicholas Cochin II
1753–1759
Country Fair
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about 1736
The Soldier Musicians
Nicholas-Toussaint Charlet
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Les Invalides en Goquette
Nicholas-Toussaint Charlet
19th century
French Cuirassier
Nicholas-Toussaint Charlet
19th c.
Napoleon
Nicholas-Toussaint Charlet
19th century
Napoleon Seated at the Foot of a Tree
Nicholas-Toussaint Charlet
19th century
Toussaint L'Ouverture
Nicholas Eustache Maurin
ca.1820
Napoleon
Nicholas-Toussaint Charlet
early 19th century