Skip to main content
Image may be subject to copyright restricitons. Non-commercial use only.
Forced Relationship
Image may be subject to copyright restricitons. Non-commercial use only.
Image may be subject to copyright restricitons. Non-commercial use only.

Forced Relationship

Artist (Egyptian, born 1974)
Date2022
Mediumacrylic on canvas
Dimensionscanvas: 100 × 100 cm (39 3/8 × 39 3/8 in.)
ClassificationsPaintings
Credit LineChapin Riley Fund at the Greater Worcester Community Foundation
Object number2022.69
Label TextBlending pan-African artistic influences and a modernist painting style, Abdelrassoul creates surrealist paintings inspired by her experiences as a Middle Eastern woman. Her imagery often combines humans, animals, and nature to imply an interdependence of all living things. Here, the wounds of the truncated trees are highlighted in orange, echoed in the distortions of the woman’s face. She is clothed in a transparent garment to symbolize the vulnerable feeling of being exposed even when covered—a feeling the artist says she and other women in her society (and many others) experience. The anthropomorphized owl wraps an arm around her, intensifying the surrealism of the scene. (2023)ProvenanceSold by the Artist, via Circle Art Gallery, Nairobi, Kenya, to the Worcester Art Museum,
On View
On view
Current Location
  • Exhibition Location  Gallery 321
Static Variations: Blue x 2
Terri Priest
1971–1972
Masterwort
John Adams Griefen
1974
Night Floating Discs
Alan Siegel
1974
Untitled
Tadaaki Kuwayama
1967
Untitled
Katherine Porter
1970
Image may be subject to copyright restrictions. Non-commercial use only.
Sneha Shrestha
2021
Image may be subject to copyright restricitons. Non-commercial use only.
Sante Graziani
1977
Yellow Clay
Harvey Quaytman
1973
Rapa Nui Smashup
Carrie Moyer
2009
Untitled
John Reynolds
1975