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Image Not Available for Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos grupos de picadores arrollados de seguida por un solo toro) (plate 32)
Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos grupos de picadores arrollados de seguida por un solo toro) (plate 32)
Image Not Available for Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos grupos de picadores arrollados de seguida por un solo toro) (plate 32)

Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos grupos de picadores arrollados de seguida por un solo toro) (plate 32)

Artist (Spanish, 1746–1828)
Date1816
Mediumetching and aquatint on cream laid paper
Dimensionsplate: 24.2 x 35.3 cm; sheet: 31.5 x 44.6 cm
ClassificationsPrints
Credit LineSarah C. Garver Fund
Object number1965.48
Label TextAfter the Muslims were driven from Spain in the fifteenth century, bull-lancing tournaments became the favorite sport of the aristocracy. In fact, corridas became such a routine part of Spanish life that they were eventually held during fiestas in commemoration of holy days and the canonization of saints; even now the opening day of the bullfighting season in some areas of Spain is Easter Sunday. These bullfighting-related fiestas are important community events, often reflecting local and regional identities and traditions.ProvenanceCraddock and Barnard, London, UK
On View
Not on view
Two Teams of Picadors thrown one after another by a single Bull (plate 32)
Two Teams of Picadors thrown one after another by a single Bull (plate 32)
Francisco de Goya
1816
Image Not Available for A Spanish Knight Kills the Bull After Having Lost His Horse (Un caballero Español mata un toro despues perdido el caballo) (plate 9)
A Spanish Knight Kills the Bull After Having Lost His Horse (Un caballero Español mata un toro despues perdido el caballo) (plate 9)
Francisco de Goya
1816
Image Not Available for The Same Man Throws a Bull in the Ring at Madrid (El mismo vuelca un toro en la plaza de Madrid) (plate 16)
The Same Man Throws a Bull in the Ring at Madrid (El mismo vuelca un toro en la plaza de Madrid) (plate 16)
Francisco de Goya
1816
Image Not Available for The Rabble Hamstring the Bull with Lances, Sickles, Banderillas, and Other Arms (Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos) (plate 12)
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas, and Other Arms (Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos) (plate 12)
Francisco de Goya
1816
Ox Teams and Drovers, Vermont
Ox Teams and Drovers, Vermont
D. A. Clifford
1870–1885
Towers Over the Sala De Las Dos Hermanas, The Alhambra, September 17, 1884
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Truman Seymour
1884
Towers Over the Sala De Las Dos Hermanas, The Alhambra, September 19 And 20, 1884
Towers Over the Sala De Las Dos Hermanas, The Alhambra, September 19 And 20, 1884
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1884
Image Not Available for Otras leyes por el peublo (Other laws for the people), or Disparate de Bestia (Animal Folly)
Otras leyes por el peublo (Other laws for the people), or Disparate de Bestia (Animal Folly)
Francisco de Goya
about 1816
Dos a Dos, Accidents in Quadrille Dancing
Dos a Dos, Accidents in Quadrille Dancing
George Cruikshank
1817
The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique
The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique
Francisco de Goya
1816
Because she was susceptible (Por que fue sensible), Caprichos 32
Because she was susceptible (Por que fue sensible), Caprichos 32
Francisco de Goya
1799
Image Not Available for The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Nave Been Tipped With Balls (Palenque de los Moros hecho con burros para defenderse del toro embolado) (plate 17)
The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Nave Been Tipped With Balls (Palenque de los Moros hecho con burros para defenderse del toro embolado) (plate 17)
Francisco de Goya
1816