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The Adoration of the Shepherds
The Adoration of the Shepherds
Image © Worcester Art Museum, all rights reserved.

The Adoration of the Shepherds

Artist (Italian, 1489–about 1537)
Date1510–1535
Mediumegg tempera on panel
Dimensions37.2 x 27.2 cm (14 5/8 x 10 11/16 in.)
ClassificationsPaintings
Credit LineTheodore T. and Mary G. Ellis Collection
Terms
Object number1940.32
Label TextAn ox and a donkey watch as Mary holds her newborn son before the humble shepherds who have come to pay their respects and acknowledge the baby as the Son of God. The central, kneeling figure, who is either Mary's husband (St. Joseph) or a visiting shepherd, looks out as if to draw the viewer into the scene. Leonbruno completes the narrative by including two tiny figures in the distant landscape: an angel announcing the birth of Christ to a lone shepherd who is tending his sheep. Leonbruno lived during the Renaissance, a time in which artists began to look closely at the natural world around them. His interest in specific textures is seen in the way in which he renders the fabric of the figures' clothing and the wood of the stable. Also, he places the biblical scene within an Italian landscape, thus painting the world that is familiar to him.ProvenanceTheodore T. Ellis, Worcester, MA
On View
On view
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about 1510
Madonna of Humility
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about 1380–1382
The Last Judgement
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probably early 14th century
Saint Philip
Master of Figline
about 1335
Madonna of Humility
Stefano da Verona
about 1430
Saint Francis of Assisi
Master of Figline
about 1335
Saint Bartholomew
Gonçal Peris
late 1430s
The Virgin and Child with Saints
Meo da Siena
1310–1315
Pieta
Master of the Academia Annunciation
about 1380