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Image Not Available for With or without reason (Con razon o sin ella)
With or without reason (Con razon o sin ella)
Image Not Available for With or without reason (Con razon o sin ella)

With or without reason (Con razon o sin ella)

Artist (Spanish, 1746–1828)
Dateabout 1820
Mediumetching and aquatint on cream wove paper
Dimensions15.3 x 20.5 cm (plate), 24.0 x 33.2 cm (sheet)
ClassificationsPrints
Credit LineAustin S. Garver Fund
Object number1965.413
Descriptionplate two
ProvenanceCraddock and Barnard, London, UK
On View
Not on view
Photographed July 2010
The Sleep of Reason Produces Monsters (El sueno de la razon produce monstruos) plate 43 from Los Caprichos
Francisco de Goya
1799
Image Not Available for A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants (Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos) (plate 13)
A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants (Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos) (plate 13)
Francisco de Goya
1816
She Prays for Her (Ruega por ella), Caprichos 31
She Prays for Her (Ruega por ella), Caprichos 31
Francisco de Goya
1799
Image Not Available for Expiró sin remedio (There was nothing to be done and he died); plate 53 from Disasters of War
Expiró sin remedio (There was nothing to be done and he died); plate 53 from Disasters of War
Francisco de Goya
about 1820
Photographed July 2010
Great Deeds! Against the Dead! (Grande hazana! Con muertos!); plate 39 from Disasters of War
Francisco de Goya
1863
Image Not Available for The Rabble Hamstring the Bull with Lances, Sickles, Banderillas, and Other Arms (Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos) (plate 12)
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas, and Other Arms (Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos) (plate 12)
Francisco de Goya
1816
Image Not Available for The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull With the Play of His Body (El diestrísimo estudiante de Falces, embozado burla al toro con sus quiebros) (plate 14)
The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull With the Play of His Body (El diestrísimo estudiante de Falces, embozado burla al toro con sus quiebros) (plate 14)
Francisco de Goya
1816
Image Not Available for The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Nave Been Tipped With Balls (Palenque de los Moros hecho con burros para defenderse del toro embolado) (plate 17)
The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Nave Been Tipped With Balls (Palenque de los Moros hecho con burros para defenderse del toro embolado) (plate 17)
Francisco de Goya
1816
Image Not Available for The Moors make a Different Play in the Ring Calling the Bull with their Burnous ( Los Moros hacen otro capeo en plaza con su albornoz) (plate 6)
The Moors make a Different Play in the Ring Calling the Bull with their Burnous ( Los Moros hacen otro capeo en plaza con su albornoz) (plate 6)
Francisco de Goya
1816
Image Not Available for The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo) Plate 1
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo) Plate 1
Francisco de Goya
1816
Image Not Available for The Origin of Harpoons or Banderillas (Origen de los arpones ó banderillas), (plate 7)
The Origin of Harpoons or Banderillas (Origen de los arpones ó banderillas), (plate 7)
Francisco de Goya
1816
And this too
And this too
Francisco de Goya
about 1820